A woman got her name, and her Clan
from her female elders. She keeps this name for life, even
if she is baptized with an Anglo name or married. A boy is
given a soft cuddly name by his mother, when he becomes a man,
his father and uncles will give him a new name. When he is
matured and ready to become a warrior, he goes on a vision quest. The
medicine man then gives the man a new name, related to his vision
quest, that he will use for life. The Scotsmen, English,
Germans that married into the Cherokees, began the Anglo naming
tradition for their children. The Cherokee ignored this tradition
completely, as they were not concerned about cousins intermarrying,
as they had their own traditions that a man could not marry a woman
from his mother’s clan. The young men all had to wait until
the Festival of The Corn to find a bride. This
is an annual event that brings participants from all over the Nation
for several weeks. This gives the people an opportunity to
visit married relatives, exchange stories, trade goods, participate
in sports and dances, and to find prospective mates.

From about 10,000 to 500 years ago,
the Native Americans did not have the Bow and Arrow. Instead,
they used a Short Spear, about 3 to 4 feet long, made from river
reed (similar to Bamboo or Cat Tail) trimmed with two feathers,
and tipped with a small stone or bone point (Projectile Points). The
spear was usually thrown with the aid of a Atlatl or throwing-stick,
to increase the speed and range. This was the primary weapon
for hunting and war, as the Bow was not invented (introduced) until
about the arrival of the Spaniards in the 1500’s. The Spanish
troops learned that the short spear, thrown with an Atlatl, was
the only weapon (except a cross bow) that could pierce their body
armor. The average warrior could fire 5 spears to 1
Spanish musket shot.
Many archaeologists agree that the
Atlatl, or spear thrower, has been discovered in European deposits
that date back to 30,000 BP. Since
this same weapon system has been discovered in America, they glibly
state that the weapon was introduced into America much later (about
8,000 - 10,000 years BP). The
problem is that there was no way for people to continue to cross
the land bridge to bring this new weapon to the people of America,
as the Land Bridge was underwater at that time. It
is entirely possible that Sandia Man may have developed the Atlatl
to give them more range and power for their spears in order to
successfully hunt the mammoth. As
the glaciers receded North, the hunters followed, all the way back
to Asia, taking their better tools, weapons, and hunting techniques
with them.
Other similarities in weapons and
tools include the shape of the spear points, and the mounting technique
(pitch). This mounting
technique for spear or arrow points was still in use in Europe
until 5,000 years ago, but had long been replaced in America for
the tip design that allowed tying the tip to the shaft with thin
strips of raw skin. This
is understandable, as there was not many natural deposits of pitch
(tar pits) available to the inhabitants of America. Another problem for archaeologists is the type of stone ax
used by many coastal Native Americans. The
size, shape, material, and manufacturing techniques are virtually
identical to the types found in Europe and described as Celtic.

The Atlatl fell out of use in Asia and Europe when the Bow was developed several
thousand years ago, probably in Greece or Egypt. The
bow was not in use in America until about the time of the arrival of Columbus. When
the invaders from Europe engaged the native in warfare, they were greeted by
short spears, thrown with great accuracy and power from long distances. The
white invaders thought for a while that the natives were using a powerful long-bow,
but the Atlatl had greater range, more power and accuracy than the muskets
of the whites. The average native
warrior could throw five ‘arrows’ for each musket shot.
Projectile point designs varied widely
as dictated by the material and their use. Small points with
no flutes were used for small game, medium points with flutes were
used for hunting large game and for war, large points were used
on large spears for large game (bears) and for war. There
does not appear to be one particular type of point design that
was used exclusively by the Cherokee. Virtually every type
of stone point used in the US has been found somewhere in Cherokee
Territory. They were quite the ‘techno’ types of their time
and would adopt a new design from another tribe, or create a design
of their own for a special purpose. The art of projectile
point making (flint napping) almost became a lost art when the
Europeans began trading small bits of iron. The Cherokee
were probably one of the first to make Iron Arrows.

The Atlatl shafts were usually made of Ash, Popular, or Hickory due to their
spring-like qualities. The shafts were
usually equipped with a stone counter-weight which increased the power delivered
to the throw. Traditionally, Cherokees make their Bows from Hickory as
it was readily available and has excellent spring qualities. The bow-strings
were made from braided bear hairs. After a bow was made and tested, the
grip was covered with leather, and a small feather was tied to the bow to act
as a wind-sock. More decorative bows were generally gifts to the chief
and used for ceremonial purposes.
Cherokee Canoes were made from large
hollowed-out tree trunks. They had a flat square front with
a gentle taper for beaching and a flat bottom. They were
wide enough for two men to sit side by side, and long enough to
hold raiding party of about 20 men. Depending on the depth
of the river, they used poles or paddles for propulsion. Most
rivers in the Cherokee Nation were quite shallow, so poles were
used when carrying freight, and paddles were used for speed when
moving war parties.

Cherokee carved bone, stone and wood into objects of art. They had a
lively trade with the Seminoles and other coastal tribes for sea shells,
particularly Conch shells and Clam shells. They carved beautiful breast-plates
(gorgets) from the wall of the Conch and Clam shells. Earrings made of
Sand Dollars and Scallop shells were common. Necklaces were made of carved
bone and wooden beads. Some artists specialized in stone carvings of
clan animal figurines used on Ceremonial Pipes and round stone balls used in
a game called Marbles.



Cherokee women made beautiful Baskets
from river reeds. Some were rigid for food gathering and
storage, some were flexible for use as warrior’s packs. Some
of the baskets were made water-tight and used directly on the fire
for cooking, or by dropping hot stones into the basket to make
tea or soup. Bowls were made from river clay and baked in
an open fire. They were made from contrasting layers and
deeply incised to show the contrasting colors. Others were stamped
with designs carved on ‘stamping boards’ made of wood and bone. Corn
was roasted in the husk, pounded or ground to a powder for bread
and other dishes. Other Recipes are listed below. Whiskey
and other ‘strong drink’ were unknown until the Scotsmen arrived
in the early 1700’s.


The Green Corn Festival
or Ceremony is a Native American harvest celebration. Creek, Cherokee,
Seminole, Yuchi, and Iroquois as well as other Native American
tribes celebrate this ceremony on some manner.
The ceremony is typically held
during the full moon when the first corn crop is ready to harvest.
The exact date cannot be determined ahead of time; it's all up
to the corn. It is a time of thanks and forgiveness. A thanksgiving
for the crops and old grudges are forgiven. The ceremony lasts
for several days. The holy man as a symbol of health, life, and
spiritual power tends a sacred fire. The first few days, known
as the Busk, people fast, cleanse themselves, and their homes.
Men and women then drink an herbal concoction, the "Black
Drink" that help cleanse and purify their bodies. Then the
first corn harvest is tasted followed by dancing, singing, playing,
and feasting. Many foods are included in the feast with an emphasis
on corn: roast corn, corn tortillas, corn soup, corn bread….
A ball game is quite popular
in which teams of boys and girls try to hit a target on a large
pole, the original source of our lacrosse. The game varies, of
course, from tribe to tribe.


The game resembles the modern European game of lacrosse, using ball sticks
which are handmade from hickory. A small ball, made of deer hair and
hide, is tossed into the air by the medicine man. The male players use a
pair of the sticks, and female players use the bare hands. In earlier
times, only the men with the greatest athletic ability played the game. The
game was oftentimes played to settle disputes, and the conjurer for each team
often became as important to the team as the players themselves.
Seven points are scored when
the ball strikes a wooden fish on the top of a pole approximately
25 feet in height, and two points are awarded when the ball strikes
the pole.
Sawǎnu'gǐ or
Cherokee Ball Player, picture by James Mooney, from his book
"History,
Myths and Sacred Formulas of the Cherokees"
In earlier days, there would
be a dance before the ballgame. The ballplayers were the participants
of the dance, along with seven women dancers. Each woman
represented one of the clans. Throughout the dance, the
women would step on black beads which represented the players
of the opposing team. The conjurer had placed these black
beads on a large flat rock. Today, stickball is an important
part of the days activities at ceremonial Stomp Grounds, being
necessary to play before the Stomp Dance can ever begin. It
is also a recreational sport at other times between community
teams. There are also intertribal teams made up of players
from Cherokee, Muscogee (Creek), Yuchi, Natchez, and other
area communities.
Cherokee
Marbles is a game of skill, still played in the form of tournaments. Also
a skill is the art of making the marbles themselves. The
marble game dates back to approximately 800 a.d., and is a complex
game of skill and strategy played by adults on a five-hole outdoor
course.
Until the early part of the
20th century, players used marbles chipped from stone, smoothed
into round marbles about the size of billiard balls. Today,
there are still some traditional marble makers, but most
tournaments utilize billiard balls for play.
The game is played on a field
approximately 100 feet long, where there are five holes about two
inches in diameter, 10 to 12 yards apart, forming an L-shape. Any
number of players may play, but each team must have an equal
number.
Each
player uses on marble and must keep track of its location as
well as the opposing players marbles. The players toss
the marbles at the holes with the object of advancing by landing
in each hole in sequence and returning to the starting point. Players
must toss their marbles and knock the opposing players’ out of
the way in a prescribed manner. The first team to complete
the course is the winner.

The traditional musical instruments
of the Cherokee consist of :
The water drum which is a earthen pot or kettle with a skin stretched over
the top of it. An inch or so of water or other liquid is placed inside before
playing.
The
River Cane flute, which in 1835 was reported to have been approximately one
foot long, and had 6 holes.
Trumpets were sometimes made from buffalo horns, and sometimes from long neck
gourds or the thigh bone of the crane. Conch shells were used in very early
times.
Turtle shells are used for ceremonial rattles; a single rattle to be held in
the hand for use by men, and turtle shell shackles worn on the legs of women.
Sometimes the ceremoinial hand rattles are made of gourd, as well. (from the Cherokee
Nation webpage )
A text by Charlie Orme:
Native American music is very unusual,
far from conforming to the common stereotype in the minds of others.
It exhibits an enormous amount of variety not commonly realized
by most people. It plays a mainly functional role in their culture.
All Native American music is generally
categorized in two ways: instrumentation and lyrical content. The
melody of Cherokee Indian music is generally played with a flute.
This flute is carved out of wood, and has a light, melodic sound
that seems to float in the air. This gives the songs an interesting
sound unique to Native American music. Part of this sound comes
from the fact that Native American music uses a fascinating scale,
known as the tonal (or Indian) scale. This scale sounds very odd
because most people are used to the standard Ionian major scale,
with the whole-whole-half-whole-whole-whole-half step foundation
and the do-re-mi-fa-so-la-ti-do progression; but to the Cherokee
people, it sounds perfectly normal, and the Ionian major scale
sounds weird. Flute melodies may be sung, but harmony (two of the
same, similar, or complementary melodic lines being sung or played
simultaneously) and polyphony (two different melodic lines played
or sung simultaneously) are almost unheard of.
Other Native American instruments
include the Pow Wow drum, the rattle, flutes and flageolets, whistles,
simple trumpets and/or reed instruments. Those most widespread
are percussion instruments, including drums. Native American (including
Cherokee) drums are made from animal skin stretched across a large
gourd, and have a deep, rich sound not found in today's ordinary
drum sets. The drums are very important; they provide the rhythmic
foundation for Cherokee and all Native American music.
Among other percussion instruments,
the idiophones are represented by rattles, musical rasps, sticks
beaten together, beaten planks, rods, and slit drums. (An idiophone
is an instrument whose sound is simply the vibration of its elastic
constituent material, unmodified by any special tension; for example,
a bell, gong, or rattle would be an idiophone, whereas a drum would
not.) Membranophones (drums with skin heads) are also used commonly.
Another important part of the Native Americans' music is the singing.
Whether rhythmic chanting or high-pitched yodeling, this part of
the music truly completes the song.
Lyrics
The lyrics of the Native Americans'
music are in the local tribe's language, in this case Cherokee.
The Cherokee language is very complex, and was first transcribed
by Chief Sequoyah. The lyrics generally involve family songs and
tribal ritual songs, although song texts may (and often do) consist
entirely of meaningless syllables. They may also consist of or
include archaic words or phrases and/or special phonetic changes.
The music, for the most part, plays a functional role in Cherokee
culture; it is used as a part of other activities and rituals.
This can be seen in the fact that music is graded on its magical
or spiritual power; if a song is well performed, it is referred
to as "good" rather than beautiful. It can also be seen
in the fact that men tend to predominate in composing, singing,
and writing the lyrics for the songs; since men usually prevail
in rituals and other cultural elements, it is only natural that
men would be the ones singing the songs.
In conclusion,
the music of the Cherokee Indians is unique, possessing a musical
richness and emotional depth not often found in other music.
It is very interesting to look into other cultures' music; looking
into the music of the Cherokee gives an engaging glimpse of the
culture.
