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In a search for order and sustaining
that order, the olden Cherokee devised a simple, yet seemingly
complex belief system. Many of the elements of the original
system remain today. Although some have evolved or otherwise
been modified, the traditional Cherokee of today recognize
the belief system as an integral part of day-to-day life.
Certain
numbers play an important role in the ceremonies of the Cherokee.
The numbers four and seven repeatedly occur in myths, stories
and ceremonies. Four represents all the familiar forces,
also represented in the four cardinal directions. These
cardinal directions are east, west, north and south. Certain
colors are also associated with these directions. The
number seven represents the seven clans of the Cherokee, and
are also associated with directions. In addition to the
four cardinal directions, three others exist. Up (the
Upper World), down (the Lower World) and center (where we live,
and where ‘you’ always are).
The number seven also represents
the height of purity and sacredness, a difficult level to attain. In
olden times, it was believed that only the owl and cougar had
attained this level, and since then, they have always had a
special meaning to the Cherokee. The pine, cedar, spruce,
holly and laurel also attained this level. They play
a very important role in Cherokee ceremonies. Cedar is
the most sacred of all, and the distinguishing colors of red
and white set it off from all others. The wood from the
tree is considered very sacred, and in ancient days, was used
to carry the honored dead.
Because
of these early beliefs, the traditional Cherokee have a special
regard for the owl and cougar. They are the honored
ones in some versions of the Creation story. They were
the only two who were able to stay awake for the seven nights
of Creation. The others fell asleep. Today, because
of this, they are nocturnal in their habits and both have
night vision. The owl is seemingly different from other
birds, and he resembles an old man as he walks. Sometimes,
the owl can be mistaken for a cat with his feather tufts
and silhouette of his head. This resemblance honors
his nocturnal brother, the cougar. The owls’ eyes are
quite large and set directly in front like a persons, and
he can close one independent of the other. The cougar
is an animal whose has screams which resemble those of a
woman. He is an animal who has habits that are very
secret and unpredictable.
The cedar,
pine, spruce, laurel and holly trees have leaves all year
long. These plants, too, stayed awake seven nights
during the Creation. Because of this, they were given special
power, and they are among the most important plants in Cherokee
medicine and ceremonies.
Traditionally, the Cherokee are
deeply concerned with keeping things separated and in the proper
classification, or category. For example, when sacred
items are not in use they are wrapped in deerskin, or white
cloth, and kept in a special box or other place.
The circle is a familiar symbol
to traditional Cherokees. The Stomp Dance and other ceremonies
involve movements in a circular pattern. In ancient times,
the fire in the council house was built by arranging the wood
in a continuous "X" so that the fire would burn in
a circular path.
The rivers, or "Long Man," were
always believed to be sacred, and the practice of going to
water for purification and other ceremonies was at one time
very common. Today, the river, or any other body of moving
water such as a creek, is considered a sacred site, and going
to water is still a respected practice by some Cherokees.
Very basic to the Cherokee belief
system is the premise that good is rewarded, while evil is
punished. Even though the Cherokee strictly believe in
this type of justice, there are times when things happen that
the system just does not explain. It is often believed
that some events that are unexplainable are caused by someone
using medicine for evil purposes. Witchcraft among the
Cherokee is not at all like that of the European cultures. To
understand and respect the beliefs of traditional Cherokees
about using medicine, conjuring, and witchcraft, you must first
consider the early types of Native American societies, and
consider how this has remained an integral part of Cherokee
culture.
Today, many Cherokees still consult
with medicine people regarding problems, both mental and physical. Some
believe in using both Cherokee medicine and licensed medical
doctors and the health care systems. Some Cherokee today,
however, will not see a medicine man for any reason and refuse
to acknowledge their powers.
The knowledge held by the medicine
men or women is very broad in spectrum.
They work for years committing
to memory the syllabary manuscripts
passed to them by the ones who taught them. Many formulas
have been documented in Cherokee syllabary writing
in books ranging from small notebooks to full-blown ledgers. If
the words are not spoken or sung in the Cherokee language,
they will have no affect. Until the words have been memorized,
the medicine person will refer to his book. This does
not compromise his abilities, as modern medical practitioners
often refer to reference books, too. The writings in
these books are strictly guarded and anyone who is not in training
is strictly forbidden to study or read the books. The
words are usually accompanied by a physical procedure, such
as the use of a specially prepared tobacco, or drink. Medicine
people must be, and must remain, in perfect health for their
powers to be at peak. Their breath and saliva contain
the powers of their life-force, and are used in their medicine.
As far
as the witches referred to above, there are ordinary witches
and killer witches. Ordinary witches are considered
more dangerous since a person can never be sure he is dealing
with one, and they are more difficult to counteract. They
may deceive a medicine person, and cause them to prescribe
the wrong cure if not guarded. One killer witch who
is still spoke of often in the Cherokee Nation is the Raven
Mocker .
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to index)

The Beloved Women (Ghigua) were
chosen by each clan to attend the Council of Women yearly.
They were chosen for their bravery in battle or outstanding
qualities, and it was the highest honor they could receive.
The Ghigua headed the Council of Women and held a voting seat
in the Council of Chiefs. The Ghigua was given the responsibility
of prisoners and would decide their fate. She also had the
right to be her people's sage and guide. Another of the Beloved
Woman's duties was as ambassador, or peace negotiator
Nancy Ward was the last Ghigua.
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A day or two after the birth,
a priest waved the infant four times over a fire while he addressed
on its behalf a prayer to the fire for special blessings. On
either the fourth or seventh day after birth, the same priest
took the child to a river and commended it to its Creator,
praying that it might enjoy a long and happy life. After this,
while holding his hand over the infant's mouth and nostrils,
he quickly immersed it seven times, then returned it to its
parents.

Then the naming ceremony was
held, and the name was bestowed by a prominent elderly woman
of the community such as one of the Beloved Women. In most
cases, the name was based on the infant's fancied resemblance
to some object, on something said or done at the moment of
birth, or an unusual character trait in the infant. Later in
life, depending on a person's character changes or achievements,
a new name might be earned or give. For example, a Cherokee
warrior who killed a distinguished enemy , in a public ceremony
, be given the name "Buffalo Killer". Whatever the
name, every Cherokee regarded it as a distinct part of his/her
personality, and believed that injury would result from any
misuse of it. If, for instance, a priest's prayers had no effect
while he was treating a patent, he often concluded that misuse
of the patent's name was the cause and accordingly went to
water where, with appropriate ceremonies, he christened the
patient with a new name. The priest then began his healing
ritual.
Daily immersion of the child
continued for two years. At the age of four or five, boys came
under the supervision of their fathers or elder brothers and
were taught how to handle weapons. Girls helped their mothers
and older sisters and learned by doing. Both sexes learned
rapidly and played games in which the activities of the elders
were imitated. A child born in the midst of unusual circumstances,
such as when strange things were happening on earth or in the
heavens, might be raised to become a visionary or prophet,
and such a career was particularly marked out for twins. Selected
children such as these were kept secluded during the first
twenty-four days of their lives. They were not allowed to taste
their mother's milk, but instead were given the liquid portion
of corn hominy. While such children were growing up, they were
encouraged to go out alone and talk with the Little People.
Some sons were promised to the
priesthood, and on acceptance by the priests were called "devoted
sons". The training for priesthood was more demanding
than for hunting. The priesthood was to some extent hereditary,
but there was also a selective process. The priests were advised
in advance when a new candidate was to be presented to them.
Before the presentation, the parents fasted and for seven days
tasted only a certain root to vicariously bestow special powers
on the child. To preserve the purity of children devoted to
priesthood, mothers always delivered them into the care of
the grandmother or some aged matron during the mother's periods
of menstruation.
(back
to index)

The everyday
cultural world of the Cherokee includes spiritual beings. Even
though the beings are different from people and animals, they
are not considered "supernatural." They are
very much a part of the natural, or real, world and most people
at some point in their lives, have an experience with spiritual
beings. One group of spiritual beings still talked about by
many Cherokees, are the Little People. They are invisible
unless they want to be seen. When seen, they look very
much like any other Cherokee, except they are very small, and
have long hair, sometimes to the ground.

The Little People live in various
places, such as rock shelters, caves in the mountains, laurel
thickets, etc. They like drumming and dancing, and they
often help lost children. Not only physically lost, but
sometimes saddened children and those who are going through
the tough times of growing up. They are also known to
be quite mischievous at times. The Little People need
to be dealt with carefully, and it is necessary to observe
the traditional rules regarding them. They don’t like
to be disturbed, and they may cause a person who continually
bothers them to become 'puzzled' throughout life. Because
of this, traditional Cherokees will not investigate or look
when they believe they hear Little People. If one of
the Little People is accidentally seen, or if he or she chooses
to show himself, it is not to be discussed or told of for at
least seven years. It is also a common practice to not speak
about the Little People after night fall.
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to index)

The
most dreaded of all Cherokee witches is the Raven Mocker, who
robs the dying of their life. A Raven Mocker can be of
either sex, and there is no real way to know one. They
usually look old and withered, because they have added so many
lives to their own.
During the night when someone
is sick or dying, the Raven Mocker goes there to take the life. He
flies through the air with his arms outstretched like wings. There
will be a wild wind noise around him, and sparks trailing from
behind. Every once in awhile he will dive, and make a
sound similar to a raven’s cry. All those who hear it
are afraid, because they know that someone’s life will soon
end. When the Raven Mocker makes it to the dying person’s
house, he often finds others of his kind there. Unless
there is an Cherokee Doctor watching out who knows how to drive
them off, they will all go inside (they are invisible) and
frighten and torment the sick person until they kill him. Sometimes,
those who are attending the sick think the person is just fighting
for their breath.
After the witches take the life,
they take out his heart and eat it, and by doing this, they
add to their own lives as many days or years as they have taken
from his. Nobody who is attending the sick can see them,
and there is no scar where they have removed the heart. Upon
further examination, they will find that there is no heart
left in the body.
Only a medicine person with the
right kind of medicine can recognize a Raven Mocker, and if
that medicine person stays in the room with the sick person,
the witches will be afraid to come in. When one of them
has been recognized in his right shape, he must die within
seven days. Often, when the friends of a traditional
Cherokee know that there is no more hope, they will try to
have one of these medicine people stay in the house and guard
the body until it is buried. Witches will not steal the
hearts after burial.
Other witches are usually jealous
of Raven Mockers and are afraid to enter the same house with
one. When a Raven Mocker finally dies, the other witches
sometimes take revenge by digging up the body and abusing it. Traditional
Cherokees also believe that after a person dies, his soul often
continues to live as a ghost. Ghosts are believed to
have the ability to materialize where some people can see them,
although some can not.
(back
to index)

The
fire was and is sacred to the Cherokee, and is a living memorial. It
has been with the people from the beginning of time"
Fire is a gift of the Great
Spirit, it separates men from animals. It makes civilization
possible. Fire can only be lit by a priest, typically
a member of the Ani-Wodi clan (priests, keepers of the flame). The
fire is traditionally made of Oak wood.
If the fire is not made
of Oak, or is not lit by a priest, only bad luck can follow. Once
the kindling is placed, the priest lights a twig and offers
the smoke to the North, East, South, West, Upward to the heavens,
Downward to the Mother Earth, and Inward to the center (self)
for purity.
The fire is very sacred to traditional
Cherokees. It is built at the bottom of a pit below the
ground, and burns constantly. It is believed by traditional
Cherokees that soon after creation of the Cherokee people,
the Creator left his throne in Heaven and visited the earth. He
chose four Cherokee men who were strong, healthy, good and
true, and believed with all of their heart in the Creator. They
were each given a name: Red, Blue, Black and Yellow. Each
was given a wooden stick that was very straight, and was told
to place one end of the stick on a surface that would not burn. He
said to place the other end in their hands, and start this
material that would not burn to magically burn. . . by giving
the sticks a circular, rotating motion.
When this was done, and all the
sticks were burning, they were told to go to the center of
the cross, and there the four would start one singular fire. This
fire would burn for all time, and be the Sacred Fire. The
fire was started with the instructions and help of the Creator,
and is maintained by the Ani-Wodi. The
Sacred Fire has been held since that time by the Cherokee,
and is kept alive by the Chief, Assistant Chief, Firekeeper,
and Assistant Firekeepers of the Ground.
A firekeeper (Ani
-Wodi) and his assistant begins early dawn starting the
official sacred fire. He begins with small slivers
of wood, inner most part of an oak tree called the sponge,
flint and some rock to trigger a spark. A medicine
fire is also built where a small piece of meat is then thrown
in and pipes are lit from the fire and a prayer follows. The
firekeeper does his job so well that he doesn't have to come
back until later in the day.
Sunrise: The men
sit around talking about political issues and the women prepare
a meal for the day which consists of traditional and modern
food.
Later in the afternoon: Sermons
are held in the Cherokee language. The sermon includes
telling all to love all mankind.
After the sermon, a stickball game
(A-ne-jo-di) is played--an ancient Cherokee tradition that
resembles the American lacrosse.
At sundown, the sermons continue. The
Chief brings out the traditional pipe, and fills it with tobacco. He
lights it with a coal from the Sacred Fire, and takes seven
puffs. The Medicine Man from each clan, beginning with
the Aniwaya, the Wolf clan, takes seven puffs from the pipe
and passes it on . The chief, medicine men and elders
hold a meeting and then issue the call for the first dance,
then the second call. The first dance is by invitation,
tribal elders, elders, medicine men and clan heads.
The members gather to visit,
feast and dance far into the night. It is a holy place
to worship God. No littering, liquor and rowdy
behavior. Rules are written in the Cherokee language
and posted on a board hung up on a tree. Stomp Dance
participants include a leader, assistants
and one or more "shell-shaker
girls" who wear leg rattles traditionally made out of
turtle shells filled with pebbles. The ceremonial observance
involves sacrificing meat to the sacred fire at the center
of the grounds, taking
medicine and going to water or river for ritual cleansing.
The shakers provide rhythmic accompaniment while dancing around
the fire, and a dance cannot
begin without
the shakers. The Stomp is a traditional dance that follows
a strict order of preparation and execution. At dawn, is the
sacred fire ceremony, followed by a traditional meal and reading
of the Keetoowah bible, which is made of woven shells. A Cherokee
ball game is played, which is the origin of American La-Crosse.
More readings from the Keetoowah bible until after sun-down,
where the main theme is universal peace and love.
The sacred pipe is lit and each
clan member takes 7 puffs, to commemorate the seven sacred
directions, and passes it to his neighbor. Then there is a
meeting of Chief and tribal elders that call for the Stomp
Dance to begin. The earliest record of Stomp Grounds takes
us back to the Mound Building, or Mississippian Period. During
this period, one of the mounds was used as a ceremonial gathering
place. When the people ceased to use the mounds for ceremonial
purposes, they brought the square shaped ceremonial grounds
with them. The dance grounds are carefully prepared, a large
flat area, traditionally sunken, with seating arranged on all
4 sides. Around the Stomp Grounds are arranged seven arbors,
one for each clan; Wolf (a-ni-wa-ya), Wild Potato (a-ni-go-ta-ge-wi)
also known as the Bear Clan, Paint (a-ni-wo-di), Bird Clan
(a-ni-tsi-ss-gwa), Long Hair (a-ni-gi-lo-hi) also known as
Twister or Wind then the Blind Savannah as known as Blue (a-ni-sa-ho-ni).
The members of each clan are related through their mothers.
The people prepare themselves
with cleansing rituals, ‘going to water’ and taking traditional
medicines to purify the body and spirit. This is a rededication
to their way of life, Cherokee society, their clan, and the
Great Spirit.
The first round is from a selected
group of people, the men start to sing, and the call is given
for the women wearing the hells to enter the square, the song
leader dances in front, followed by the lead shaker, who wears
leg-rattles, some made of shells, some made of small turtle
shells filled with stones. Behind them come the rest
of the singers and shakers, these followed by everyone else.
The dance goes around the Fire in a counterclockwise direction,
with the heart and left hand toward the sacred fire, everyone
following in the steps of the person in front of them, forming
a spiral.
This is a slow shuffling stomp
of the feet, one after the other. Stomp right, stomp left,
stomp right, stomp left. The sight and the sound reaches
down deep into your soul and stirs something, both ancient
and timeless. They dance until they are tired and rejoin the
dance when they are rested.
A series of wampum belts serve
to record and ‘read’ the traditional beliefs and stories. The
belts are very old, and are made of wampum beads sewn together
with a form of seaweed from old Mexico. The wampum belts
are shown only on very sacred occasions. The history
of the belts relate that many years ago, the tribe was preparing
to go to war. The medicine men foresaw which would survive,
and cut the original wampum belt into seven pieces. After
the war, the belts were scattered, and the last one was recovered
by Redbird Smith in the very early 1900’s.
Today, there are over
200,000 Cherokee tribal members. Although some have chosen
to worship through other religious denominations (Baptist,
Methodist, etc.), many continue to worship at regular Stomp
Dances and are members of one of the several Grounds in Cherokee
Nation. Each ground has its own unique protocol and differences,
but the general worship is similar with the same intention.
(back
to index)

The
Keetoowah's bible is not written on paper. The words
are woven into seven wampum belts which are shown only in
rare occasions. The belts are very old, and are made
of pearls and shell beads, woven with seaweed fibers from
the Gulf of Mexico. The history behind the belt is
that many years ago, the tribe was preparing to go on to
war with another tribe, when the medicine men foresaw which
would survive, and cut the original wampum belt into seven
pieces, giving one to each warrior. After the war,
the belts were scattered, some being hidden and disappearing,
the last one was recovered by Redbird Smith around 80 years
ago.
Picture and following text extracted
from "Myths of the Cherokee", by James Mooney's

"The
Onondagas retain the custody of the wampums of the Five Nations,
and the keeper of the wampums, Thomas Webster, of the Snipe
tribe, a consistent through Pagan is their interpreter. Notwithstanding,
the claims made that the wampums can be read as a governing
code of law, it is evident that they are simply monumental
reminders of preserved traditions, without any literal details
whatever."
"The first of this group
from left to right represents a convention of the Six Nations
at the adoption of the Tuscaroras into the league; the second,
the Five Nations upon seven strands, illustrated a treaty with
seven Canadian tribes before the year 1600; the third signifies
the guarded approach of strangers to the Council of the Five
Nations ( a guarded gate, with a long, white path leading to
the inner gate, where the Five Nations are grouped, with the
Onondagas in the center and a safe council house behind all
); the fourth represents a treaty when but four of the Six
Nations were represented and the fifth embodies the pledge
of seven Canadian christianized nations to abandon their crooked
ways and keep an honest peace ( having a cross for each tribe,
and with a zigzag line below, to indicate that their ways had
been crooked but would ever after be as sacred as the cross).
Above this group is another, claiming to bear date about 1608,
when Champlain joined the Algonquins against the Iroquois" -
Carrington, in Six Nations of New York Extra Bulletin, Eleventh
Census, pp. 33-34, 1892
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to index)

by David Michael Wolfe (Virginia
Cherokee Descendent)
JANUARY: Cold Moon Unolvtani
This time of the season is a
time for personal and ritual observance, fasting and personal
purification. During this season, families prepare for the
coming of the new seasons, starting in Windy Moon Anuyi or
March. Personal items and tools for planting are repaired,
and new ones made. Stories about ancestors and the family are
imparted to the younger ones by the elders. A mid-Winter or "Cold
Moon Dance" is usually held in the community as well,
marking the passing or ending of one cycle of seasons and welcoming
the beginning of the new cycle. Hearth fires are put out and
new ones made. The putting out of Fires and lighting of new
ones anciently is the duty of certain "priest" of
certain clans, and coincides with the first new-arrival of
the morning star (Sun's daughter, now called Venus) in the
east.
FEBRUARY: Bony Moon Kagali
Traditional time of personal-family
feast for the ones who had departed this world. A family meal
is prepared with place(s) set for the departed. This is also
a time of fasting and ritual observance. A community dance
officiated by a "doctor" Didanawiskawi commonly referred
to as a Medicine-person. Connected to this moon is the "Medicine
Dance".
MARCH: Windy Moon Anuyi
"First New Moon" of
the new seasons. Traditional start of the new cycle of planting
seasons or Moons. New town council fires are made. The figure
used to portray this moon is the historic figure of Kanati,
one of the many beings created by the "Apportioner" Unethlana.
These "helpers" were variously charged with the control
of the life elements of the earth: air/earth/fire/water. Their
domains are the sky, earth, stars and the Seven Levels of the
universe.
APRIL: Flower Moon Kawoni
First plants of the season come
out at this time. New births are customary within this time
frame. The first new medicine and herb plants that taught mankind
how to defend against sickness and conjury come out now. Streams
and rivers controlled by the spirit being, "Long Man," renew
their lives. Ritual observances are made to "Long Man" at
this time. A dance customary at this season was the "Knee
Deep Dance" of the Spring or Water Frog.
MAY: Planting Moon Anisguti
Families traditionally prepare
the fields and sow them with the stored seeds from last season.
Corn, beans, squashes, tomatoes, potatoes, yams and sunflowers
are some food planted at this time. A dance traditionally done
at this time is the "Corn Dance".
JUNE: Green Corn Moon Tihaluhiyi
First signs of the "corn
in tassel", and the emerging of the various plants of
the fields. People traditionally begin preparations for the
upcoming festivals of the ensuing growing season. People of
the AniGadugi Society begin repairs needed on town houses,
family homes and generally provide for the needy. The AniGadugi
Society is a volunteer help group who see to the needs of the
less fortunate, the elderly and the infirm of the villages.
JULY: Ripe Corn Moon Guyegwoni
First foods or the new planting
and the roasting ears of corn are ready. Towns begin the cycle
festivals. Dances and celebrations of thanks to the Earth Mother
and the "Apportioner" Unethlana are given. In the
old times this was the traditional time of the "Green
Corn Dance" or festival. A common reference of this moon
is the "first roasting of ears" (of corn)...sweet
corn-moon. This is the customary time for commencement of the
Stick Ball games traditionally called AniStusti, "Little
War". Today known as "LaCross". Stick Ball dances
and festivals are commonly held at this time.
AUGUST: Fruit Moon Galoni
Foods of the trees and bushes
are gathered at this time. The various "Paint Clans" begin
to gather many of the herbs and medicines for which they were
historically know. Green Corn festivals are commonly held at
this time in the present day. The "Wild Potato" Clans
AniNudawegi, begin harvesting various foods growing along the
streams, marshes, lakes and ponds.
SEPTEMBER: Nut Moon Duliidsdi
The corn harvest referred to
as "Ripe Corn Festival" was customarily held in the
early part of this moon to acknowledge Selu the spirit of the
corn. Selu is thought of as First Woman. The festival respects
Mother Earth as well for providing all foods during the growing
season. The "Brush Feast Festival" also customarily
takes place in this season. All the fruits and nuts of the
bushes and trees of the forest were gathered as this time.
A wide variety of nuts from the trees went into the nut breads
for the various festivals throughout the seasons. Hunting traditionally
began in earnest at this time.
OCTOBER: Harvest Moon Duninudi
Time of traditional "Harvest
Festival" Nowatequa when the people give thanks to all
the living things of the fields and earth that helped them
live, and to the "Apportioner" Unethlana. Cheno i-equa
or "Great Moon" Festival is customarily held at this
time.
NOVEMBER: Trading Moon Nudadaequa
Traditionally a time of trading and barter among
different towns and tribes for manufactured goods, produce
and goods from hunting. The people traded with other nearby
tribes as well as distant tribes, including those of Canada,
Middle America and South America. Also the customary time of
the "Friendship Festival" Adohuna = "new friends
made". This was a time when all transgressions were forgiven,
except for murder which traditionally was taken care of according
to the law of blood by a clans person of a murdered person.
The festival recalls a time before "world selfishness
and greed". This was a time also when the needy among
the towns were given whatever they needed to help them through
the impending lean winter season.
DECEMBER: Snow Moon Usgiyi
The spirit being, "Snow Man", brings
the cold and snow for the earth to cover the high places while
the earth rests until the rebirth of the seasons in the Windy
Moon Anuyi. Families traditionally were busy putting up and
storing goods for the next cycle of seasons. Elders enjoyed
teaching and retelling ancient stories of the people to the
young
(back
to index)

The Seven Clans are: Wolf Clan
(Ani-Wahya) , Panther Clan (Ani-Sahoni), Long Hair Clan (Ani-Gilohi),
Bird Clan (Ani-Tsisqua), Deer Clan (Ani-Kawi), Bear Clan (Ani-Gatogewi), Paint
Clan (Ani Wo-di)


The Wolf Clan is the largest clan and the most prominent clan,
providing most of the war chiefs. The wolf clan are keepers
of the wolf and the only clan who could kill a wolf.
The
Clan color of the Ani-Wahya is Red.

The Blue or Panther Clan made blue medicine from a special blue
plant to keep our children well. The were also known as the Wildcat
Clan.
The Clan color for the Ani-Sahoni
is Blue.

The Long Hair Clan are also known as Twister Clan, Hair Hanging
Down Clan or Wind Clan. Those belonging to this Clan wore their
hair in elaborate hairdos, walked in a proud and vain manner twisting
their shoulders. Peace chiefs are usually from this clan and wore
a white feather robe.
The Clan color for the Ani-Gilohi
is Yellow.

The Bird Clan are the keepers of the birds and they are our messengers. This
clan was skilled in using blowguns and snares for bird hunting.
The Clan color for the
Ani-Tsisqua is Purple.

The Deer Clan are the keepers and hunters of the Deer, and are
known as fast runners.
The Clan color for the
Ani-Kawi is Brown.

The Wild Potato Clan are also known as
the Bear Clan, Raccoon Clan or Blind Savannah Clan. They
were known to gather the wild potato plants in swamps along
streams to make flour or bread for food.
The Clan color for the Ani-Gatogewi
is Green.
Paint
Clan - War Paint Clan - Ani Wo-di is the clan of the Shaman
(Di-da Ih-ne-se Is-gi), Sorcerers, Medicine Men, and Priests. This
is the smallest and most secretive clan. They are the
‘Keepers of the Sacred Flame’ (Ka-ie-la At-si-la Hi-ne-yu)
the soul of the Cherokees. When the Cherokees wage
war, the Priest brings along several sacred objects, medicinal
herbs, and a coal from the Sacred Fire. They are the
only ones that are allowed to make a special red paint and
dye that are used for warfare and ceremonial purposed. The
Clan color for the Ani-Wodi is White.
The Ani-Wodi keep magical
or sacred crystals of ultra-pure quartz rods in a special pouch
of otter or deer skin, tied around their necks. The crystals
are only used to determine guilt in very tough murder cases. The
Chief, the Priests the accused parties, and
the victim’s family assemble in the tribal lodge. The
victim and his spokesman deliver their case which is rebutted
by the accused. The Chief acts as Judge, and there is
no jury. If the case cannot be settled quickly, the priest
is called upon for a ‘judgment’ ceremony. The group is
kept in the main lodge overnight, arguing the merits of the
case until dawn. In the morning, before dawn, the Priest
goes into the forest and prays for guidance. He returns
to the lodge before the sun rises and places the crystals in
the open doorway facing the rising sun. When the sun
rays strike the crystals, they emit beams of light that travel
from the roof down to the assembled participants. The
rays of light from the crystals will illuminate the face of
the guilty party. The person chosen by the crystals must
leave the village and the territory by sundown. This
is the grace period allowed before the ‘hunt’ begins. Then
the Chief selects a member of the victim’s clan to claim revenge,
to hunt down the murderer and kill him.
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Ceremonial Pipes were used anytime
the Cherokee had a difficult decision and wished to sanctify
the proceedings or ask guidance from the Great Spirit. The
pipe heads were carved from stone in the shape of animals representing
the clans. The shafts were formed by hollowing out the
center of a small branch with a hot ember on the end of a long
stick, or the branches were split, the inner core scraped out,
and the two halves glued together. The pipes were filled
with native tobacco and aromatic herbs, lit from the Sacred
Fire, offered to the Seven Sacred Directions, and passed around
the council circle. The belief was that once you had
taken a puff from the Ceremonial Pipe, your heart would speak
true.
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When a tobacco ceremony is about
to begin, the Priest assembles the ceremonial pipe bowl to
the shaft, fills the bowl with a small amount of tobacco and
selected herbs. He lights the pipe with a twig from the
sacred fire, and offers a prayer, while offering the pipe to
the spirits of the North, the South, the West, and the East. He
takes a puff to keep the tobacco lit and offers the pipe to
the spirits of the Sun, the Earth, and to the Self, deep within
his breast.
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There are many different
explanations for the origin and purpose of the Booger Dance.
In practice, as part of the Corn Festival, the young men
would dress up with masks to poke fun at politicians, scare
young children into behaving properly, and to have some fun
with the girls. As the dance got into ‘full swing’
it would typically degenerate into the young men wearing
the masks, chasing the young women and shaking their symbolic
phallic symbols at them. The young women would run
squealing in mock terror into the woods, with the Booger
Man close behind. Since the women ruled the society,
It was not common practice for the girls to choose their
mate, and ‘ambush’ him as he neared the edge of the woods.
In other cases, the girls would join in the Booger Dance
and entice the Booger Man . Then the girl would lead him
away into the woods to a carefully prepared spot, to claim
her prize.
The Booger-Dance was called
the Ghost Dance by the whites, and they were offended by
the political caricatures. After the Trail of Tears
Death-March, the Ghost dance was banned for nearly 100 years.
It was still performed in private, but if the participants
were caught, they were sent to prison.
As you can see there are
several different opinions on the origin and purpose, and
the web-page associated with each is included for your further
study.
Watch out !!! Or
the Booger Man will get you !!! in more ways than one… };-)
The Cherokee held the Booger
Dance, associated with ghosts, which was performed as part
of the winter ceremonies. These Booger Masks were affiliated
with ghosts and spirits, and the performance during the winter
months meant that the dance of the ghosts could not affect
the growing vegetation and crops of the community. (Mardi
Grass masks website )
Traditionally the Cherokees
dance to ensure individual health and social welfare. These
dances, performed by volunteers, were usually symbolic, were
usually performed to weaken harmful powers -- to "scare
away" the evil spirits -- and were a combination of
dramatic art, protective medicine rites, historical documentary
and prophecy. In the Booger or "Strong in magic" dances,
the dancers wore masks of exaggerated human features made
out of wood, colored brightly, and decorated with fur and
feathers. They usually wore sheets or quilts around their
shoulders. "Cherokee Booger Dancers" depicts four
of the more common booger dance characters. It demonstrates
their interactions and the precarious balance of all men
mixing and living together. (Wolf's
heart lodge)
The Booger Dance, interpreted
as a ritual dramatization of Cherokee-white relations. It
acts out a basic tension between old men and young men in
which each fears and desires the power of the other, yet
neither can exist alone. In such a context, the temporary
disruption of the traditional harmonious order caused by
the intrusion and rowdy behavior of the boogers serves to
emphasize the need to return to normality and to control
anti-social forces. Aboriginal Cherokee mythology and ceremonialism
present a number of symbolic and ritual associations between
the aged and certain animals. Among the birds, the eagle
was considered sacred and associated with the most wise beloved
man, the Uku, or town chief. While the eagle was symbolic
of victory, peace, and the White Chief, the raven was unmistakably
associated with the War Chief, whose native title means precisely
The Raven. This bird is also associated with witches and
conjuring. Older Eastern Cherokee openly admit that witches
are generally old. Like the raven, the owl is also associated
with old people and, more specifically, with witches, but
this is not always the case. In fact, the ancient fire can
also take on the appearance of an owl in order to detect
the presence of witches and defend the people from their
attacks. There seems to be an overall positive connection
between the animal world and the aged. This positive relationship
is often reflected in tribal mythology wherein animals are
often featured as helpers, assistants, and even avengers
for the aged. ( Hako
magazine )
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Purification
" Great
Spirit (U-ne-qua), whose voice I hear in the wind,
Whose
breath gives life to all the world. Hear me;
I
need your strength and wisdom.
Let
me walk in beauty, and make my eyes ever behold the red and
purple sunset.
Make
my hands respect the things you have made and my ears sharp
to hear your voice.
Make
me wise so that I may understand the things you have taught
my people.
Help
me to remain calm and strong in the face of all that comes
towards me.
Let
me learn the lessons you have hidden in every leaf and rock.
Help
me seek pure thoughts and act with the intention of helping
others.
Help
me find compassion without empathy overwhelming me.
I
seek strength, not to be greater than my brother, but to fight
my greatest enemy MYSELF.
Make
me always ready to come to you with clean hands and straight
eyes.
So
when life fades, as the fading sunset, my spirit may come to
you without shame.
Serenity
Prayer
God
Grant me the serenity to accept the things I cannot change,
u-ne-la-na-hi s-gv-si nv-wa-do-hi-ya-di o-s-da
a-yi-li-di ni-ga-di gv-gi-ne-tli-yv-s-di
ni-ge-s-sv-na ge-sv-i
The
courage to change the things I can,
a-le u-tla-ni-gi-da a-quu-da-na-da-di-s-di
a-gi-ne-tli-yv-s-di na gv-gi-ne-tli-yv-s-di
ge-sv-i
and
the wisdom to know the difference.
a-le a-ga-do-hv-ne-s-di a-quu-nv-da
yu-li-s-do-si d-u-da-le-hna-v-i
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